$34.99
Tammy Anderson's moving story of her childhood. A truly remarkable account of the triumph of the human spirit.
I Don’t Wanna Play House is published in Blak Inside, a collection of six plays from Victoria by Aboriginal writers, including:
Conversations With the Dead, by Richard Frankland
Enuff, by John Harding
Crow Fire, by Jadah Milroy
Belonging, by Tracey Rigney
Casting Doubts, by Maryanne Sam {{PlayboxLogo}}
Yirra Yaakin and Perth City Council present I DON’T WANNA PLAY HOUSE as part of the City of Perth 2008 Honouring Theatre Festival from July 1 - 6.
The preparation of this document was commissioned by Drama Australia to foster access and participation in learning, taking in the broader context of Indigenous educational perspectives and redefining their relevance in the study of Contemporary Indigenou
Production information for Yirra Yaakin's 2010 touring season of 'I Don't Wanna Play House'
"I lived it, I breathed it, survived it and as an artist I wanted to share that with an audience." Allison Jess talks with Tammy Anderson about her quest to raise awareness of domestic and child abuse.
ACADEMIC PAPER: This thesis compares testimony to Australia's black/white relations in two plays by white writers, Andrew Bovell's 'Holy Day' (2001) and Katherne Thomson's 'Wonderlands' (2003), and two black writers, Tammy Anderson's 'I Don't Wanna Play House' (2001) and Richard J. Frankland's 'Conversations With the Dead' (2002)
"I have just seen Tammy Anderson's one-woman show, I Don't Wanna Play House, and watched as she made fear, hate, love and laughter all appear."
"Blak Inside, a series of Indigenous plays from Victoria, performed at Melbourne’s Playbox to sellout crowds. It’s a vote of confidence in the medium that these writers chose to craft their stories for theatre. I saw 3 of the 5 productions..."
reccomended
PLEASE NOTE: This page contains links to files that have been sourced, and websites that are maintained by other businesses and organisations. Please refer to our terms of use.
PLEASE NOTE: You will be directed to AusStage.edu.au for search results; Australian Plays Transform is not responsible for their completeness. Refer to our terms of use.