Indija Mahjoeddin

Indija Mahjoeddin studied for one year in Padangpanjang Academy of Performing Arts, Indonesia. As a result her Australian based work moved toward this oral poetic narrative form. She wrote and directed The Horned Matriarch: Story of Reno Nilam, SOCOG Olympic Arts Festival 1998) and for young people, Mr Stupid (Pak Pandir and his Waterbuffalo) touring through schools from 1998 - 2006. The Arthurian Randai Project (2003) and The Ballad of Boldenblee (Newcastle 2004) both engaged regional communities in the Randai making process. An alumni of the Asialink residency program, Indija’s work has been supported by ANPC conference 2004, published in Three Plays by Asian Australians (Playlab/QUT 2000) and referenced in Australasian and International forums (NTQ, ASEASUK 2005 and ADSA 2004). She wrote the libretto of the choral work, The Hornets Nest (composer Mark Dunbar) for Canto Coro (2004) and in 2006 produced, directed and performed in the premiere season of her ‘chamber randai’ The Butterfly Seer at Carlton Courthouse. Since then Australian-Indonesian writer/performer whose performance practice has consciously engaged her Sumatran heritage. She formulated ideas for cross-pollination of performance disciplines during formative years at the Adelaide Theatre Group under Doug Leonard. After a formal grounding in Dance studies and Production (lighting) at WAAPA, Indija pursued independent theatre-making with a particular focus on music theatre drawing on Randai, a Sumatran folk opera tradition she she has taken time out to complete her Master of Creative Arts thesis “Randai as a Contemporary Dramaturgy: Obstacles and Insights from an Intercultural Transposition” (University of Newcastle) completed in 2011 and is now an adjunct junior researcher and sometime research assistant in ethnomusicology at Monash University's School of Music.

THE BUTTERFLY SEER by Indija Mahjoeddin

We acknowledge that we live and create on unceded lands. We pay our respects to the First Peoples of Australia, and to their elders past, present and future.

© Australian Plays Transform 2024