Throughout her work Marion has tried to challenge the politics of representation through a poetics of resistance – in poetry, (third body Whitmore Press 2018; Fragments from a paper witch Salt 2008, a finalist in the 2010 Adelaide Festival Literature Awards: Innovation), novels (the most recent of five being konkretion UWAP 2013), playscripts, and memoir (The Man on the Mantelpiece UWAP 2018). Her novels have been shortlisted for major Australian awards and twice for the Canada-Australian Prize, with Not Being Miriam winning the WA Week Prize for fiction back in 1988. Her critical monograph Poetic revolutionaries (Rodopi 2014) explored intertextuality and subversion. She supervises graduate writing projects at Deakin University.
Visit Marion's blog here.
| ARIADNE'S UNDERSTUDIES by Marion May Campbell |
