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Home
Find a Play
Play Search
Latest Scripts
Collections
La Boite Encores: Celebrating 100 Years
The Monologue Collection
The Sustainability Collection
The Pride Collection
Yellamundie
BlakStage
Red Door
Sydney Festival 2022
#AustralianPlayADay
Of The Island
Retrospectives
Program
National Playwriting Groups
Australian First Nations Playwrights Retreat and Development
The Max Afford Playwrights’ Award
The Erin Thomas Regional Playwrights Fund
First Nations Emerging Writers Group
Developing the Dramaturg
The National Play Summit
Words in Motion: New Play Development
Latest News
Past Programs
2024 Program
2023 Program
About Us
Who we are
What we do
Our story
Our success stories
Support us
For Educators
Recommended Plays
Teaching Resources
Theatre Companies’ Ed Resources
Sign up to our e-news
For Playwrights & Industry
For Playwrights
Podcasts
Commentary
Keynote Speeches
Cue the Chorus
State of Play Essays
Contact Us
FAQs – General
FAQs – Programs
Contact Us
Sign up to our e-news
Membership
Login
Sign Up
My Account
Membership packages
Donate
Login
Home
Program
Australian First Nations Playwrights Retreat and Development
National Playwriting Groups
The Max Afford Playwrights’ Award
The Erin Thomas Regional Playwrights Fund
First Nations Emerging Writers Group
Developing the Dramaturg
The National Play Summit
Words in Motion: New Play Development
2024 Program
Find a play
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Platform Papers 26: Not Just an Audience: Young People Transforming our Theatre
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Platform Papers 28: The Fall and Rise of the VCA
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Platform Papers 29: Democracy vs. Creativity in Australian Classical Music
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Platform Papers 30: INDIG-CURIOUS: Who can play Aboriginal roles?
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Platform Papers 31: Finding a Place on the Asian Stage
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Platform Papers 32: History is Made at Night: Live Music in Australia
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Platform Papers 33: Changing Times at NIDA
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Platform Papers 34: It’s Culture, Stupid! Reflections of an arts bureaucrat
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Platform Papers 36: Re-valuing the Artist in the New World Order
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Platform Papers 39: The Retreat of Our National Drama
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