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Written during an Australia Council Irish Literature Residency, Almost Face To Face takes a risky journey into a hidden Dublin world. Moving, brutal, dark and funny, this acclaimed work about indulgent creative chaos and lives on-the-very-edge, asks – is it ever too late to finally face up to what you have become?
Nominated for a Greenroom – Best Independent Actor Award
“Original and powerful… lurid and confronting, ultimately touching theatre. House is a natural raconteur…” - The Age
“Fantastic one man show… House is an amazing story teller… not to be missed” - The Music
“The skill of this AWGIE Award winning writer and actor is reflected in a script relishing in the fragility of humanity” - Arts Hub
“A heart wrenching monologue… performed to perfection… incredible story-telling” - Week-end Notes Melbourne
“A fine piece…House’ stage persona is magnetic” - The Advertiser
“A brave and accomplished artist… integrity that commands respect” - Stage Whispers
“Furious and poignant… wonderful prose… a powerful piece of theatre” - Barefoot Review
"Exquisite writing... perfect performance" - Australian Stage Online
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EXTRACT: I need to establish some kind of routine when I write, and I’m writing again, now, properly, at long last. When I am locked into a ridiculous ongoing drinking bender (like the Paris thing) I have some great ideas, but I don’t write - not properly. I slide around from one chaotic situation to the other… record seemingly outstanding flashes of the bender in shaky stream of consciousness note form - one moment; and wallow in devastating mind blanks and sleazy drunken hook ups, the next.
Adult language, Adult themes“Fantastic one man show… House is an amazing story teller… not to be missedâ€
“Original and powerful… lurid and confronting ultimately touching theatre.â€
“A work that will be talked about all over Australia and perhaps the world… must be seenâ€
"At times pithy and aggressive, at others brimming with a dark humour, the skill of this AWGIE Award winning writer and actor is reflected in a script relishing in the fragility of humanity and the storytelling tradition of Ireland."
"Living on the cusp of normalcy, sobriety and lawfulness is a precarious place, requiring only the slightest imbalance to tip you over the edge. Stephen House’s play explores the fringe of Dublin society in an intimate encounter with the whores, the dealers and those caught up in the chaos."
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