$5.40 – $19.00
This script is part of the Australian Plays Education Resources Collection
A RED DOOR PUBLICATION
It's the night before opening of Living Today by Dylan Crackbourn. Bill is a clapped out, middle aged theatre director hoping to save his finances and his marriage by scoring a hit with his production - but in the lead he's cast Jules, TV star and narcissist who can't seem to achieve the simplest of tasks. Director and actor walk through the moves to try and nail it before the big night. But the farce of Bill's life and the farce they're rehearsing get horribly entangled... with murderous results.
"In A Commercial Farce ... Houghton turns his laser wit onto commercial theatre. It’s as much homage as satire: Houghton has his cake and eats it too. It’s funny for all the reasons that Alan Ayckbourn or Michael Frayn are funny, with added meta-text.." - Alison Croggon, Theatre Notes, 2009
Tom Healey in conversation with Peter Houghton about A Commercial Farce:
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Peter Houghton has worked a mid-life crisis into his new show. But it's still funny, he tells Robin Usher.
"This sets out to be a very funny show, and it is. Like Eno, Houghton is interested in cliché, but his treatment is more violent: he simply pumps it up until it explodes... In A Commercial Farce, directed at the Malthouse by Aidan Fennessy, Houghton turns his laser wit onto commercial theatre. It’s as much homage as satire."
"The cliché jokes that are being directed and performed in the original farce cleverly begin to play out in Bill’s ‘real’ life. We become the audience he is wishing to impress, he becomes the fool he is seeking to direct. And that is the genius of Peter Houghton."
"The play within this play is, as its title is roughly indicative of, a commercial farce. It even harks back to what surely must be the original slapstick gag: slipping on a banana-skin. Peter Houghton is a hell of an actor. Turns out he’s a pretty dab hand when he’s got a pen in it too."
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